Exhibition Dates:
Opening Event: 30th August, 5:00 - 9:00 PM
Screening Event: 15th September, 4:00 - 8:00 PM
Farewell Public Event: 29th September, 5:00 - 9:00 PM
University Women’s Club, 2 Audley Square, London, W1K1DB
The programme will continue to explore artworks centred on cross-cultural and multimedia themes by expanding three concepts: Dialect, Divination, and Discipline. It will discuss ethnographic themes in a multi-discursive manner, expanding the diffraction expression of narrative and personal history in contemporary art. The programme will focus on diverse participation in public activities, fostering organic extension beyond the exhibition and encouraging interdisciplinary and cross-community collaboration.
Alice Qianhui Sun is an interdisciplinary artist and researcher working across painting, ceramics, performance, and museum education.
In her art practice, she employs inventive and fantastical interpretations of emotive, psychologically troubling subjects like the politics of birthrights and gender representation. Her practice delves into the creation of personal mythologies, where fact and fantasy are woven together. Meaning is never fixed but remains fluid, and allegorical -- conveying alternative narratives and speaking to broader themes.
She expands her practice into food anthropology, incorporating she brings culinary elements into her performance to navigate difficult history, identity, memory, and diaspora. Her recent research focuses on investigating community engagement, sense of belonging, and participatory learning in Chinese ecomuseums.
Regina is an interdisciplinary curator and research-based artist, whose practice addresses human rights, infrastructure, military geographic events, and community relationships, regarding art as a tool for social engagement.
Her experiences moving across different places have given her a unique perspective on the power dynamic of spatial production, and the ability to create dialogues between peripheral knowledge. Recently, she initiated the research group 'Improvisational Movement' (临时移动) to investigate the relationship between dams, rivers, and pipeline systems. The project also includes the launch of the public program 'Disaster Index', the cross-regional online co-writing workshop to foster dialogues around the concept of 'disaster' beyond official discourses.
She is also working on the research of the 'Third Front', which explores subtle affects and environmental mediums that exist beyond established narratives.
Artists:
Beichen Zhang
Dien Berziga
Harley Roberts
Ho-Sa Wang
Khushboo
Koori Ding
Laiba Raja
Mizuki Nishiyama
Neo Jiapu Gao
Wen-Hsuan Chang
Wenhui Hao
Wei Xiong
Landscapes, weather, food, community, generational memory and a plethora of other factors affect the curling of our tongues. How do objects carry our dialect in foreign lands? Can we invoke our dialect into the “things of others'' through our actions?
This exhibition explores the encounter of dialect through the works of young global artists who met in London but work with different mother tongues. It also addresses an alternative return to “marginal regions” in the context of globalised localisation, seeking ways to reconstitute society through metaphor and allegory, and finding a homeland and personal narrative that transforms with the flow of people.
Shaped by geography and social habits, dialects serve as folk vernacular to a region’s political system and its ethnic communities, often referring to a polyphonic narrative between dwellers and outsiders. Our dialects are also influenced by “things” (non-human actors and factors).
The dialects of each artist’s work in this exhibition form a murmuring ballad, weaving into a counterforce that flicks away the vast discourse, cultural symbols and political contexts that envelop their social identity. In the Georgian-style space of 2 Audley Square, these different encounters between works, personal histories, and cultural contexts seek new understanding between places in personal and collective approaches.
Curated by Alice Sun & Regina Liu
“Compelled by the unseen-scenes between scenes, where memory and experience keep dissolving. Approaching reality, diagonally. The unnerving, uncanny, and fascinating nature of masks for example - an entrance to a concealed opening, the horror of the infinite horror of what’s beneath.”
- Harley Roberts
Surface and texture play a defining role in Dien's painting. By employing latex, impasto, and delicate layers of paint, he attempts to create visually captivating and tactile experiences on the canvas.
In one of her exhibited works “The whisper of Past”, the tactile piece is inspired by the trade journey of the wool that is collected in different parts of the world and is cleaned and processed mostly in Eastern Asia. When the wool was sent back afterwards, it would have traces of being mixed up with wools from other regions in the cleaning process. The chain stitches on the piece are broken archival maps of the colonial trade routes connecting Europe to present Asia and South Asia.
The exhibition will be held at 2 Audley Square, the permanent home of the University Women's Club. Founded by the pioneers of education for women, the University Women’s Club is a welcoming and secure environment for professional, business, student and graduate women situated in the heart of Mayfair. For the past 130 years, the club has offered itself to members as a retreat from the stresses of London, as a resource with our library and intellectual events and as a network for busy women to meet and engage with like-minded individuals.
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